The New RODE NT1 Condenser MicrophoneRead MoreIntroducing the new R?DE NT1Bundled by UNCUCO for your convenience, this Rode NT-1 Kit gives you almost everything you need to record silky smooth vocals for sung or spoken-word applications. First of all, you get the Rode NT-1, which offers a smooth high-end, a detailed midrange, and a warm bass response. With the NT-1’s frequency response, you’ll be able to record present, intimate-sounding vocals.
Next, you’ll notice the Scarlett Solo 2×2, a no-frills interface with a studio-ready sound. The preamps in particular are noteworthy: they offer an Air circuit which is modeled on Focusrite’s legendary ISA preamplifier. Use the Air circuit on your sung vocals to give them an extra sizzle. With the provided XLR cable, you can plug the microphone straight into the interface.
The included tripod mic stand offers a boom arm to position the microphone to your desired height and angle. The kit also gives you a pair of over-ear, closed-back headphones. Use these headphones to monitor your voice while ensuring there’s no bleed from your headphones into the mic, thanks to their closed-back construction.
With the microphone, the interface, the mic stand, the cable, and the headphones, you’ll have almost everything you need to get started recording vocals. All you need to bring to the table is your own computer¡ªthat, and your innate talent.Rode NT1-KIT Large-Diaphragm Cardioid Condenser MicrophoneCombining a redesigned true condenser capsule, ultralow-noise transformerless circuitry, and an extremely durable housing, the Rode NT1-KIT large-diaphragm cardioid microphone is well suited for high-resolution digital recording of vocal and instrument sources at home, in the studio, or even on stage. Plus, its bundle of accessories¡ªshockmount, pop filter, XLR cable, and dust cover¡ªhelp the NT1-KIT serve singers, rappers, and podcasters especially well.
While the body of the NT1 still resembles the NT1-A, the mic has been completely revamped except for the mesh grille. It features Rode’s updated HF6 capsule, which is designed to provide a detailed midrange response with smooth highs and warm bass. The HF6 capsule is suspended inside the microphone using Rycote’s industry-leading Lyre system to help reduce vibration and handling noises. Also, with self-noise measured at only 4.5 dBA, the NT1 is an exceedingly quiet microphone. Since it can run on 24 or 48 VDC phantom power, the NT1 can be used with a variety of professional and entry-level XLR mic preampsNT1 vs NT1-AAlthough the body of the NT1 closely resembles the NT1-A, the microphone has been completely redesigned from the ground up, with the only shared component being the mesh grille. Rode’s design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule, which is a completely new design. Codenamed the HF6, it is the perfect example of Rode’s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise.Tone SignatureIt has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round bass reproduction to make the NT1 an absolute standout in its class.Internally Shock-Mounted CapsuleThe transducer itself is suspended inside the microphone using Rycote’s industry-leading Lyre system, minimizing external vibrations at the capsule level. The capsule is then married to high-grade electronics that have been designed to provide an extremely low noise level. The NT1 is an incredibly quiet microphone, measuring only 4.5 dBA of self-noise.Durable HousingThe NT1’s body is machined from 6061 aluminum and then nickel plated for resistance against corrosion. Finally it is coated in a durable, military-grade ceramic layer, using advanced electrostatic application techniques developed by Rode to ensure an extremely hard wearing finish that is resistant to scratches or marks.Bundled AccessoriesThe NT1 is supplied with the SM6, a high-quality suspension shockmount that provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility. The mic also comes with a balanced XLR microphone cable.Features at a GlanceLarge 1″ capsule with gold-plated membraneCardioid polar pattern rejects off-axis sound behind the micInternal Rycote Lyre-based capsule shock-mounting systemUltralow-noise transformerless circuitryState-of-the-art, surface-mount electronicsHeavy-duty matte black finishGold-plated XLR output connectorOperates on 24 or 48 VDC phantom powerIncludes shockmount, pop filter, dust cover, and XLR mic cableWhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 698813003044Focusrite Scarlett Solo 2×2 USB Audio Interface (3rd Generation)Built to deliver top-shelf sound in a compact, bag-friendly, and easy-to-use format for singers, guitarists, and solo podcasters, the third-generation Focusrite Scarlett Solo 2×2 USB audio interface lets artists and content creators score pro-level tone with no learning curve, no matter where they go.
Equally capable for tracking vocals and instruments, the improved Scarlett microphone preamp features switchable phantom power for condenser mics and a selectable Air circuit, which adds clarity-enhancing brightness based on Focusrite’s legendary ISA preamplifier. In addition to the single XLR mic input, the Scarlett Solo provides a single 1/4″ input with an instrument/line switch that allows it to accept signal directly from a guitar, bass, synthesizer, or drum machine.
Unlocking the ability to record at standard CD quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. Listen through headphones or connect active speakers to the balanced 1/4″ monitor outputs, and use selectable direct monitoring to hear your live input signal with no distracting echo or latency.
With its bus powering for uninhibited portability, space-saving USB Type-C connection, and extensive software bundle including virtual instruments, plug-in effects, loops, and more, the Scarlett Solo gives you plenty of powerful tools to kick-start your inspiration; just plug the Scarlett Solo into your Mac/Windows computer or iPad Pro (with USB Type-C), fire up your preferred audio recording software, and let the creativity flow.Portable and Bus PoweredAs the most compact interface in the Scarlett Series, the Scarlett Solo is rugged and ready to travel with you. Being bus powered via USB Type-C connectivity, it can be used in any room or even remote locations, with your preferred DAW on a Mac/Windows computer or using an iPad Pro equipped with USB Type-C and a music-making app such as Garageband, Cubasis 2, Auria Pro, Ampify Launchpad, Ampify Groovebox, or Ampify Blocs Wave.Pristine, High-Resolution ConversionThanks to its high-performance 24-bit / 192 kHz AD/DA converters, the Scarlett Solo is equipped to capture any source from vocals to acoustic and electric instruments clearly and accurately, so you never have to worry about the interface clouding your sound.Scarlett Mic Preamp with Customizable ToneThe upgraded third-generation Scarlett mic preamp features switchable 48V phantom power to accommodate your favorite condenser mic and a selectable Air setting, which reproduces the Air effect of Focusrite’s original ISA mic preamp to impart enhanced brightness and openness on your vocal recordings.Direct Instrument/Line InputA dedicated high-impedance, high-headroom 1/4″ input on the Scarlett Solo’s front panel allows distortion-free recording of an instrument such as an electric guitar or bass, a synthesizer, or a drum machine, and there’s no need for a DI box or an amplifier. At the press of a button, the 1/4″ input can be used for a line-level source like a mixer’s output or the line out from a guitar/bass amp.Straightforward Controls and Level IndicationWith the Scarlett Solo’s Easy Start tool and independent gain knobs with multicolor gain halo meters, you’ll have no trouble getting set up and dialing in the perfect levels. Plus, there are no menus or complicated controls to slow you down.Headphone and Monitor OutputsThe balanced 1/4″ TRS monitor outputs on the rear panel ensure hum-free connectivity with balanced studio monitors. For critical listening through headphones, just plug your earphones or headphones into the front-panel 1/4″ headphone jack. A large knob is positioned next to the headphone jack for quick adjustment of the monitor and headphone volume.Latency-Free MonitoringNo musician wants to record if they can’t hear their performance clearly. Press the Scarlett Solo’s direct monitor switch to listen to your input signals exactly as they are supposed to sound, with no latency and no distracting echo.All the Tools You Need to Start RecordingThe Scarlett line of interfaces comes with some of the best loved software tools in the business. Click here to see the complete list!WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 815301005179Polsen HPC-A30-MK2 Closed-Back Studio Monitor HeadphonesThe HPC-A30-MK2 Closed-Back Studio Monitor Headphones from Polsen offer a solution for experiencing rich and natural sound when listening to music through a mobile device or monitoring a podcast on your computer. These headphones can also be used for DJ work, thanks to the swiveling earcups that let you monitor audio while keeping one ear free.
The HPC-A30-MK2’s over-ear design isolates the sound and prevents leakage for optimum listening conditions in loud environments, such as a club or on the go. The 10′ cable also gives you the freedom to move around while working and terminates in a 1/8″ TRS stereo plug, which is compatible with most mobile devices and computers. In addition, a stereo 1/4″ adapter is included to plug into a stereo or mixing board.MobileThe HPC-A30-MK2 headphones deliver a rich sound for listening to audio on a mobile device. Whether you’re listening on a smartphone, an iPod, or a tablet, these headphones deliver detailed sound even in noisy environments.Over-Ear DesignThe over-ear design isolates sound in loud environments and prevents leakage for optimum listening conditions. This design is good for listening to music on a busy street, and for DJs who need to monitor their audio in a noisy club.DJ ApplicationsThe headphones are suitable for DJ applications and include a tuned bass response for low-end clarity. The pivoting earcups are ideal for one-ear or on-the-shoulder monitoring. A padded headband offers to keep you comfortable during a lengthy session.Broadcast and PodcastThe headphones allow for monitoring audio on a laptop or in a home studio as well as recording a vlog on a smartphone.Swiveling and Rotating EarcupsIf you’re a DJ who likes to keep one ear free, you can swivel one of the earcups for on-the-shoulder monitoring. The earcups also rotate 90¡ã so you can turn one of the earcup outward for one-ear handheld monitoring.10′ CableA headphone cable that’s too short is almost like sitting on the sidelines¡ªyou can’t be part of the action. If you need to move around while you work, the 10′ cable will allow you to move about freely.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628021563Auray MS-5230F Tripod Microphone Stand with Fixed BoomThe Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5″ boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628015586Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (10′, Black)The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (10′) is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces and recorders; or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well-suited for critical recording and broadcast situations. Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that’s wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrix XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.98% braided shield offers protection from EMI and RFI noise.Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable’s signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable’s core.24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.Cotton yarn reduces electrostatic and microphonic noise.All solder points shrink-wrapped for protection.Neutrik XX silver connectors offer high conductivity.Cast zinc shell and chuck style strain relief.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628551176
Rode NT1-KIT Large-Diaphragm Cardioid Condenser Microphone SpecsMicrophonePrimary ApplicationsLive Sound, Studio RecordingForm FactorLarge Diaphragm Mic / Stand/Boom MountIntended Sound SourcesVocals, Speech/Voice Over, InstrumentSound FieldMonoOperating PrinciplePressure GradientCapsule1 x CondenserDiaphragm1″ / 25.40?mmPolar PatternCardioidOrientationSide AddressCircuitrySolid-State (JFET)PadNoneHigh-Pass FilterNoneTone AdjustmentNoneGain AdjustmentNoneIndicatorsNoneOn-Board ControlsNoneWindscreenNonePerformanceFrequency Range20 Hz to 20 kHz Maximum SPL132 dB SPLImpedance100 OhmsSensitivity-29 dBV/Pa at 1 kHzOutput Level8 mV (Max, 1 kHz)Dynamic Range128 dBSignal-to-Noise Ratio90 dB A-WeightedEquivalent Noise Level4.5 dB A-WeightedConnectivityOutput Connectors (Analog)1 x XLR 3-Pin Male (on Mic)Headphone ConnectorNonePowerOperating Voltage24 V (Phantom Power)48 V (Phantom Power)PhysicalColorBlackMountingShockmount (Included)Included CaseNoneIncluded FiltersPop FilterConstruction MaterialAluminumDimensions?: 2 x L: 7.4″ / ?: 5 x L: 18.7?cmWeight15.5?oz / 440?gPackaging InfoPackage Weight4.95 lbBox Dimensions (LxWxH)10.5 x 8.25 x 6.75″Focusrite Scarlett Solo 2×2 USB Audio Interface (3rd Generation) SpecsForm FactorTabletopDisplayNoneChannels of I/OAnalog:2 Inputs / 2 Outputs at 192 kHzMaximum Sampling Rate192 kHz / 24-BitNumber of Microphone Preamps1 PreampBuilt-In MicrophoneNoneInput Level Adjustment2 x KnobExpansion SlotsNoneSignal ProcessingPadNoneGain/Trim RangeInputs:Up to +56 dB High-Pass FilterNoneSolo/MuteNoneConnectivityAnalog Audio I/O1 x XLR 3-Pin Balanced Mic Input (Front Panel)1 x 1/4″ TS Unbalanced Line/Hi-Z Input (Front Panel)2 x 1/4″ TRS Balanced Monitor Output1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)Phantom Power48 V, Selectable On/OffDigital Audio I/ONoneHost Connection / USB1 x USB Type-C (USB 2.0)USB (Non-Host)NoneSync I/ONoneNetwork I/ONoneMIDI I/ONoneWireless ConnectivityNonePerformanceFrequency ResponseInputs:20 Hz to 20 kHz ¡À0.1 dB Maximum Input LevelMic Inputs:+9 dBu (Min Gain) Hi-Z Inputs:+12.5 dBu (Min Gain) Line Inputs:+22 dBu (Min Gain) Maximum Output LevelLine/Monitor Outputs:+15.5 dBu at 0 dBFS Headphone Outputs:+7 dBu ImpedanceMic Inputs:3 Kilohms Hi-Z Inputs:1.5 Megohms Line Inputs:60 Kilohms Line Outputs:430 Ohms Headphone Outputs:< 1 Ohm Dynamic RangeMic Inputs:111 dBA Hi-Z Inputs:110 dBA Line Inputs:110.5 dBA Line Outputs:108 dBA Headphone Outputs:104 dBA THD+NMic Inputs:< 0.0012% Hi-Z Inputs:< 0.03% Line Inputs:< 0.002% Line Outputs:< 0.002% Headphone Outputs:< 0.002% EINMic Inputs:-128 dBu A-Weighted Digital AudioSample RatesUp to 192 kHz (AD/DA Conversion) Sample Rate ConversionNoneBit DepthsUp to 24-Bit (AD/DA Conversion)Audio Storage & PlaybackMemory Card SlotNoneCompatibilityOS CompatibilityWindowsmacOSiOSIncluded SoftwareNoneCompatible Software (Not Included)Any Core Audio (Mac) Compliant SoftwareFL StudioIncluded Plug-InsNoneMobile Device CompatibilityiPad Pro Required HardwareUSB Type-C Port Internet ConnectionRequired for RegistrationPowerPower RequirementsUSB Bus PowerPhysicalAnti-Theft FeaturesKensington Security SlotDimensions5.65 x 3.77 x 1.71" / 14.35 x 9.58 x 4.34?cmWeight0.7?lb / 318.0?g (without A)0.8?lb / 363.0?g (with A)Packaging InfoPackage Weight1.105 lbBox Dimensions (LxWxH)6.9 x 5.7 x 2.3"Polsen HPC-A30-MK2 Closed-Back Studio Monitor Headphones SpecsHeadphoneEarpiece DesignOver-Ear (Circumaural), Closed-BackEarpiece Connection / Wearing StyleHeadbandFoldableNoDriver TypeDynamicDriver Size2" / 50.80?mmMagnet TypeNeodymiumImpedance32 OhmsActive Noise CancellationNoPerformanceFrequency Response20 Hz to 20 kHz (Wired)Sensitivity102 dBMaximum Power Handling300 mWOutput Power15?mWTotal Harmonic Distortion (THD)0.25%Wired ConnectivityAudio Connector to Source1 x 1/8" / 3.5 mm TRS MaleAdapter (Included)1/4" TRSAudio Connector to EarpieceNot Specified by ManufacturerCable Length10' / 3.05?mCable ColorBlackPhysicalWeight10.2?oz / 289.2?g Packaging InfoPackage Weight1.21 lbBox Dimensions (LxWxH)9.65 x 8.95 x 3.85"Auray MS-5230F Tripod Microphone Stand with Fixed Boom SpecsStandHeight36.2 to 63" / 91.9 to 160?cmBase TypeTripodBase Dimensions25.6 x 25.6" / 65 x 65?cmBoomLength31.5" / 80?cmGeneralMaterialSteelWeight4.5?lb / 2?kgPackaging InfoPackage Weight5 lbBox Dimensions (LxWxH)33.5 x 4 x 4"Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (10', Black) SpecsContact PlatingSilverCable Length10' / 3?mWire Gauge24 AWGShielding98% BraidPackaging InfoPackage Weight0.6 lbBox Dimensions (LxWxH)9.45 x 8.65 x 1.15"S
