Slate Digital VIRTUAL MICROPHONE SYSTEM: The Future of MicrophonesAudio engineers and musicians in search of a microphone modeling system will be impressed with this UNCUCO Kit, which combines the Slate Digital ML-1 VMS Large-Diaphragm Modeling Microphone with the Slate Digital VMS-ONE Single-Channel Preamp, a microphone stand, and a premium star-quad microphone cable to create a turnkey mic modeling setup for recording.Slate Digital ML-1 VMS Large-Diaphragm Modeling Microphone (Matte Black)Styled in a matte black finish, the Slate Digital ML-1 is a large-diaphragm condenser microphone that is meant to be used with the VMS (Virtual Microphone System) or the VRS (Virtual Recording Studio). The microphone captures a linear frequency response between 20 Hz to 20 kHz, doing so with minimal distortion. In this way, it can serve as the unpainted canvas on which you’d apply the digital color of Slate’s microphone emulations. Indeed, paired with the VRS or VMS, the microphone aims to put heretofore cost-prohibitive, holy-grail mic/pre combinations at your fingertips. Included with the ML-1 is a bundle of emulations of prized microphones often used on vocals. Models of the U47, U67, SM7, 251, and other famous microphones are included with your purchase. For preamps, Slate offers software versions of the classic British 73 preamp, and the German 76.? Here, the microphone is offered a la carte. It is recommended you pair the ML-1 with Slate’s complementary preamps or interfaces, so that the emulations work to the best of their ability. If you prefer, you can use the mic with your existing preamp or interface, but the results may not be the same.Low-Latency OperationNone of the processing included with this microphone should add latency to the audio signal, so if you use a low-latency interface with the microphone, you can track through the VMS software without any audible monitoring delay. This low-latency operation can be achieved through Thunderbolt or high-speed USB, recording at 96 kHz with the lowest possible buffer size.Mac and Windows CompatibleThe software works with Mac and Windows systems. For Mac, it’s recommended you’re running OS X 10.9 or later. For Windows, you’ll need Windows 7 and above. VST2, VST3, AU, and AAX formats are all supported.Overview of Mic Models IncludedMore mic models are released sporadically, but at the very least, you get the following:FG-47: This mic model recreates a venerated vintage tube microphone with a thick, full-bodied low end, rich and present midrange, and a smooth top end. This mic works well on lead vocals, kick drums, drum kits overall, guitars, horns, and strings.FG-M7: A combination of a dynamic microphone made famous by Michael Jackson and the tube stage of a classic 47, this model offers a punchy, crisp sound with a cutting midrange.?FG-800: This is a recreation of a popular modern tube microphone, used often on hip hop and pop vocals. It¡¯s quite airy and bright, though the bottom-end is warm, resulting in a timbre that sounds polished right from the source. In addition to vocals, this model shines on acoustic guitars and drum overheads.?FG-251: This model recreates a well-regarded vintage tube microphone with a crisp, yet warm sound. In addition to vocals, try this model on electric guitars, acoustic guitars, drums, and more.?FG-800M: Slightly darker and fatter than the FG-800, this model captures the feeling of an older model with a Japanese tube stage. Use this when you like the sound of the FG-800, but want to mitigate brightness and sibilance.?FG-67: This model emulates a classic 67 microphone, giving you the dark, bold, and thick sound that mic often delivers. Vocals, pianos, and horns can all benefit from the FG-67, or you can use it as your room mic model for drum kits.?FG-269: This emulation captures a mic with the same circuit as the 67, but with a different tube stage. The result is an open and clear sound in the same German style of the 67 and 47 models.?FG-12: Taking its cues from a classic Austrian microphone, this model delivers both a rich and smooth sound.Preamps OfferedFG-73: The FG-73 preamp module is modeled after one of the most famous discrete solid-state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present, and warm sound that works great on any audio source, including full mixes.FG-76: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more lively. The bottom end saturates in a musical way, making it a great module for bass guitar and kick drum tracks.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 850009217202Slate Digital VMS-ONE Single-Channel PreampFor those who wish to use Slate Digital’s modeling microphone systems with their own converters, Slate Digital offers the VMS-ONE. This is a single-channel preamp designed by Paul Wolff, whose name is well-regarded in pro-audio circles.
The VMS-ONE features an XLR-1/4″ combination jack from Neutrik that accommodates both balanced XLR and unbalanced 1/4″ inputs. Two output jacks are provided, one XLR connection and one 1/4″.
With the +48V phantom power switch, you can power the ML-1 or ML-2 microphone with the unit, though it’ll also serve as a linear, transparent preamp for all sorts of microphones. A pad switch is provided to give you fixed attenuation of -20 dB before the first stage of the input amplifier, so you can use microphones with loud sources. Other controls include an input selector switch, a polarity switch, and a prominent gain knob. The preamp is capable of 57 dB of gain.
The preamp is offered a la carte here. It’s designed to be utilized with the ML-1 or ML-2 modeling microphones from Slate. Along with these mics and the corresponding modeling software, this item comprises one aspect of Slate’s Virtual Microphone System. A power supply is included.?WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 850009217165K&M 210/9 Tripod Microphone Stand with Telescoping Boom (Black)The black 210/9 Tripod Microphone Stand with Telescoping Boom from K&M is a height adjustable stand with a 17.1 to 29.3″ telescoping boom arm. The microphone stand offers sturdy support for live sound, theater, rehearsal, and recording applications. It features a clutch to allow you to raise the stand height from 35.4 to 63.2″ and a 5/8″ thread for mounting microphones (sold separately).WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 784887129824Warm Audio Premier Series Balanced XLR Cable (25′)Presented here with a cable length of 25”, this Warm Audio Premier Series XLR Cable is designed to provide a high-end connection between balanced gear with XLR jacks, such as microphones, outboard equipment, and interface-to-monitoring connections. If you care about the details of your sound onstage and in the studio, use this cable to preserve your signal.This XLR cable is chock-full of features that enable a top-of-the-line performance, such as gold-plated connectors and a star-quad wiring scheme for superior RFI rejection in the balancing process. Double-Ruessen shielding helps protect against EMI, and a braided outer wrap fights against tangling. To guarantee an optimal performance, Warm Audio partnered with Gotham AG, one of Switzerland’s best producers of premium cable.The Premier TouchWarm’s Premier cables go above and beyond, adding features like gold-plated connectors, a braided outer wrap, four-conductor star-quad construction (helping aid in giving you powerful rejection of RFI), and double-Ruessen shielding (also for increased rejection of EMI).Braided Premier WrapThis braided wrap removes the friction that occurs when rubber or PVC rub together, so it’s much easier to handle and wrap the cable. No more fighting with a rat’s nest of cable spaghetti. The braided wrap also adds an element of strength and reliability, as it helps to protect the cable’s PVC jacket from damage due to pinching or binding.Star Quad ExplainedA traditional balanced cable uses three cores of wire to carry audio signals¡ªone shielded core for the positive leg, one shielded core for the negative leg, and a plain outer wrap that functions as the ground. The idea is this: a fully balanced system flips the phase of the signal, merges the positive and negative signals together, and effectively cancels out interference encountered along the cable’s length by throwing it out of phase with the audio.Star-quad construction takes that concept even further by using five cores instead of three. Two cores are provided each for the positive and negative legs, as well as a single ground. This helps to further shield the audio from RFI (radio frequency interference), ensuring an even better performance.Double-Ruessen Shielding ExplainedMost cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from electromagnetic interference. Double-Ruessen shielding goes further than more traditional techniques in two ways: First, the cable is wrapped with two separate shields. Secondly, the outer shield is wrapped in a contrary direction to the inner shield, creating a stronger and more complete barrier from EMI for the internal cores.Gold-Plated ConnectorsPrecious metals aren’t famous for their looks alone, some also have characteristics that are advantageous for signal transfer. These gold connectors provide such characteristics, as well as one other one: gold offers more resistance to corrosion than other precious metals do, making it well-suited for cable connectors.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 850016400079
Slate Digital ML-1 VMS Large-Diaphragm Modeling Microphone (Matte Black) SpecsMicrophonePrimary ApplicationsStudio RecordingForm FactorStand/Boom MountIntended Sound SourcesVocals, InstrumentSound FieldMonoCapsuleCondenserDiaphragm1.10″ / 28?mm (Condenser)Polar PatternCardioidOrientationSide AddressCircuitrySolid-StateHigh-Pass FilterNonePerformanceFrequency Range20 Hz to 20 kHz ImpedanceCardioid: 200 OhmsLoad Impedance10 KilohmsSensitivityCardioid: 20 mV/PaSignal-to-Noise RatioCardioid: 77 dB A-WeightedEquivalent Noise LevelCardioid: 17 dB A-WeightedConnectivityOutput Connectors (Analog)1 x XLR 3-PinDigital AudioDigital Signal ProcessingCompressor, EQ, Gain, Sound Presets (via Software)PowerOperating Voltage48 VPhysicalColorBlackDimensions?: 2.13 x L: 8.47″ / ?: 54 x L: 215.2?mmWeight1.28?lb / 582?gPackaging InfoPackage Weight5.655 lbBox Dimensions (LxWxH)12.2 x 11.5 x 6.4″Slate Digital VMS-ONE Single-Channel Preamp SpecsGeneralMaximum Gain57 dBMaximum Input Level-2 dBu (without pad), +18 dBu (with pad)Maximum Output+27 dBuGain Range-30 to +27 dBNoise< -100 dBu, (-30 In, Adjusted to +4 dB Out)ControlsInstrument/Mic Switch Polarity Switch Power Switch Pad Switch Gain Knob 48V Phantom Power SwitchPower Connector5-Pin XLR ConnectionSystem Requirements (Mac)Mac OS X 10.7 or Later (32-/64-Bit) Mac Quad Core i5 Intel Processor 4 GB RAM iLok 2 or 3System Requirements (Windows)Windows 7 or later (32-/64-bit) Mac Quad Core i5 4 GB RAM iLok 2 or 3Supported Plug-In FormatsVST2, VST3, AU, XPackaging InfoPackage Weight4.8 lbBox Dimensions (LxWxH)25.25 x 24.5 x 10.25"K&M 210/9 Tripod Microphone Stand with Telescoping Boom (Black) SpecsStandHeight35 to 63" / 88.9 to 160?cmBase TypeTripodBoomLength29" / 43.18 to 73.66?cmGeneralMounting Thread5/8"-27 MaleWeight6.8?lb / 3.08?kgPackaging InfoPackage Weight7.5 lbBox Dimensions (LxWxH)34.5 x 4.4 x 3.5"Warm Audio Premier Series Balanced XLR Cable (25') SpecsPhysicalConnector 11 x XLR 3-Pin Male StraightConnector 21 x XLR 3-Pin Female Contact PlatingGoldCable Length25' / 7.6?mPackaging InfoPackage Weight1.17 lbBox Dimensions (LxWxH)10.25 x 8.65 x 2.65"S
