R?DE University – Recording Vocals with the R?DE NT1-AR?DE University – Recording Guitars with the R?DE NT1-ANT1-A Studio SecretsBundled together by UNCUCO for your convenience, the RODE NT1-A Complete Recording Kit supplies essential items for recording your voice. It includes the NT1-A cardioid large-diaphragm condenser microphone, a Focusrite Scarlett 2×2 USB Audio Interface, and a pair of Audio-Technica over-ear headphones for monitoring yourself while recording. Also included are a mic stand, a reflection filter, and a headphone clamp that holds your headphones on the mic stand when they’re not in use.Rode NT1-A Large-Diaphragm Cardioid Condenser MicrophoneCombining a true condenser capsule and ultralow-noise circuitry, the Rode NT1-A large-diaphragm studio microphone offers a warm, clear, and quiet sonic signature that makes it popular for voice and instrument capture at home or in the studio. Plus, its bundle of accessories¡ªshockmount, pop filter, XLR cable, and dust cover¡ªhelp the NT1-A serve vocalists, rappers, and podcasters especially well. With low noise being a top priority of the NT1-A, its 1″ gold-sputtered capsule is internally shock-mounted to further isolate it from handling and vibration noise. Additionally, the mic’s cardioid polar pattern naturally rejects a good deal of sound behind it, which yields less background noise and room sound than other patterns such as omnidirectional and figure-8. Since it can run on 24 or 48 VDC phantom power, the NT1-A can be used with a variety of professional and entry-level XLR mic preamps.Large-Diaphragm True CondenserThis true condenser (externally biased) features a 1″ gold-sputtered diaphragm that provides a broad frequency response, wide dynamic range, and excellent signal-to-noise ratio.Cardioid Polar PatternThe cardioid polar pattern of the NT1-A effectively minimizes off-axis noises such as room ambience, monitor bleed, and instruments behind the mic.Transformerless OutputThe transformerless output electronics result in an ultralow-noise output (just 5 dBA) while maintaining maximum signal gain.48V Phantom PowerThe NT1-A operates reliably on 24 or 48 VDC phantom power, which can be supplied via most XLR-connected mic preamps, mixer channels, or audio interfaces.Accessory PackageThe accessory package includes a studio-grade shockmount with an integrated pop filter, a premium 20′ XLR mic cable, a dust cover, and a downloadable instructional video packed with recording tips.Features at a GlanceTrue condenser (externally biased)Large 1″ capsule with gold-sputtered diaphragmCardioid polar pattern reduces background noiseSelf-noise of only 5 dBAUltralow-noise, transformerless, surface-mount circuitryWide dynamic rangeGold-plated XLR output contacts ensure optimal signal transferInternally shock-mounted capsuleIncludes SM6 shockmount, pop filter, and dust coverWhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 698813000142Focusrite Scarlett Solo 2×2 USB Audio Interface (3rd Generation)Built to deliver top-shelf sound in a compact, bag-friendly, and easy-to-use format for singers, guitarists, and solo podcasters, the third-generation Focusrite Scarlett Solo 2×2 USB audio interface lets artists and content creators score pro-level tone with no learning curve, no matter where they go.
Equally capable for tracking vocals and instruments, the improved Scarlett microphone preamp features switchable phantom power for condenser mics and a selectable Air circuit, which adds clarity-enhancing brightness based on Focusrite’s legendary ISA preamplifier. In addition to the single XLR mic input, the Scarlett Solo provides a single 1/4″ input with an instrument/line switch that allows it to accept signal directly from a guitar, bass, synthesizer, or drum machine.
Unlocking the ability to record at standard CD quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. Listen through headphones or connect active speakers to the balanced 1/4″ monitor outputs, and use selectable direct monitoring to hear your live input signal with no distracting echo or latency.
With its bus powering for uninhibited portability, space-saving USB Type-C connection, and extensive software bundle including virtual instruments, plug-in effects, loops, and more, the Scarlett Solo gives you plenty of powerful tools to kick-start your inspiration; just plug the Scarlett Solo into your Mac/Windows computer or iPad Pro (with USB Type-C), fire up your preferred audio recording software, and let the creativity flow.Portable and Bus PoweredAs the most compact interface in the Scarlett Series, the Scarlett Solo is rugged and ready to travel with you. Being bus powered via USB Type-C connectivity, it can be used in any room or even remote locations, with your preferred DAW on a Mac/Windows computer or using an iPad Pro equipped with USB Type-C and a music-making app such as Garageband, Cubasis 2, Auria Pro, Ampify Launchpad, Ampify Groovebox, or Ampify Blocs Wave.Pristine, High-Resolution ConversionThanks to its high-performance 24-bit / 192 kHz AD/DA converters, the Scarlett Solo is equipped to capture any source from vocals to acoustic and electric instruments clearly and accurately, so you never have to worry about the interface clouding your sound.Scarlett Mic Preamp with Customizable ToneThe upgraded third-generation Scarlett mic preamp features switchable 48V phantom power to accommodate your favorite condenser mic and a selectable Air setting, which reproduces the Air effect of Focusrite’s original ISA mic preamp to impart enhanced brightness and openness on your vocal recordings.Direct Instrument/Line InputA dedicated high-impedance, high-headroom 1/4″ input on the Scarlett Solo’s front panel allows distortion-free recording of an instrument such as an electric guitar or bass, a synthesizer, or a drum machine, and there’s no need for a DI box or an amplifier. At the press of a button, the 1/4″ input can be used for a line-level source like a mixer’s output or the line out from a guitar/bass amp.Straightforward Controls and Level IndicationWith the Scarlett Solo’s Easy Start tool and independent gain knobs with multicolor gain halo meters, you’ll have no trouble getting set up and dialing in the perfect levels. Plus, there are no menus or complicated controls to slow you down.Headphone and Monitor OutputsThe balanced 1/4″ TRS monitor outputs on the rear panel ensure hum-free connectivity with balanced studio monitors. For critical listening through headphones, just plug your earphones or headphones into the front-panel 1/4″ headphone jack. A large knob is positioned next to the headphone jack for quick adjustment of the monitor and headphone volume.Latency-Free MonitoringNo musician wants to record if they can’t hear their performance clearly. Press the Scarlett Solo’s direct monitor switch to listen to your input signals exactly as they are supposed to sound, with no latency and no distracting echo.All the Tools You Need to Start RecordingThe Scarlett line of interfaces comes with some of the best loved software tools in the business. Click here to see the complete list!WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 815301005179Audio-Technica ATH-M30x Closed-Back Monitor Headphones (Black)Merging acclaimed features of the M-Series headphones with a foldable, travel-friendly design, the black Audio-Technica ATH-M30x monitor headphones offer solid build quality and audio performance for studio-based production, location recording, and daily listening. Outfitted with 40mm dynamic drivers and an over-ear, closed-back design, the ATH-M30x headphones deliver enhanced midrange definition and wide bandwidth (15 Hz to 22 kHz) while isolating you from outside sounds.
Thanks to the 15¡ã swiveling earcups, high-quality materials, and generous cushioning on the headband and earpads, the headphones are both durable and comfortable to wear. Exiting from the left earcup, the attached 9.8′ cable reduces tangles and simplifies channel identification. The cable sports a gold-plated 3.5mm mini plug for use with mobile devices and computer soundcards, and a 1/4″ screw-on adapter is included for easy hookup to audio interfaces, mixers, and stereo receivers. A carrying pouch is supplied with the ATH-M30x for convenient storage and transport of the headphones.40mm DriversThe ATH-M30x features 40mm dynamic drivers with rare earth (neodymium) magnets and CCAW (copper-clad aluminum wire) voice coils for quality sound reproduction at a competitive price point.Tuned for Enhanced Midrange DefinitionThe drivers and headphone design work together to provide a sonic signature tuned for increased detailed and enhanced midrange definition. With a frequency response of 15 Hz to 22 kHz, the ATH-M30x can reproduce a full spectrum of tones.Over-Ear, Sound-Isolating DesignThe ATH-M30x utilizes a circumaural design that contours around the ears for excellent sound isolation in loud environments. This over-ear, closed-back style is optimal for reducing bleed and separating you from outside sounds.15¡ã Swiveling Earcups and Foldable DesignEquipped with 15¡ã swiveling earcups, the ATH-M30x ensures a great fit. The earcups fold up to meet the headband, saving space during storage. A carrying pouch is supplied for protection and convenience while transporting the headphones.Attached Single-Sided CableKeeping it simple and clean, the ATH-M30x incorporates an attached 9.8′ cable that exits from the left side. This increases convenience and makes it easier to distinguish the different sides of the headphone.3.5mm Plug and 1/4″ Screw-On AdapterThe attached cable is terminated with a gold-plated 3.5mm TRS mini plug for easy hookup to mobile devices, MP3 players, and computer headphone jacks. A secure 1/4″ screw-on adapter is included for compatibility connectivity with audio interfaces, mixers, and dedicated headphone amplifiers. Built-in strain relief on the 3.5mm mini plug reduces the likelihood of damaging the connection if the cable is pulled.Solid Build QualityThanks to the high-quality materials used in the ATH-M30x, the headphones balance comfort and strength while delivering enhanced audio and effective isolation.WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 042005183524Auray RF-5P-B Reflection Filter (Metal)The RF-5P-B Reflection Filter from Auray is designed to improve the quality of voice recordings captured in your home studio, rehearsal studio or other untreated acoustic environment by absorbing and isolating the microphone from unwanted ambient reflections. By absorbing and diffusing these reflections, the RF-5P-B creates a closer and dryer sound that allows more control over the vocals. It can also be used for other applications such as recording an acoustic guitar or an electric guitar cabinet.
Five punched metal panels and a pyramidal, acoustic foam lining filter ambient noise and help prevent sound from reflecting back into the microphone. The two outermost panels are adjustable, allowing you to control how dry your
recording will be.
Whether it’s a home studio or a rehearsal studio, for podcasting or broadcasting, the RF-5P-B Reflection Filter is designed to provide a portable solution for improved acoustic isolation.Three Different Mounting OptionsThreaded socket on the bottom can be mounted to a standard microphone stand, or the clamps on the back can be mounted to the shaft of a microphone stand with a boom arm. Also comes with non-slip feet for tabletop useWhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628564220Auray RFMS-580 Reflection Filter Tripod Mic StandThe RFMS-580 Reflection Filter Tripod Mic Stand from Auray features heavy-duty steel construction and is capable of providing sturdy support to your reflection filter and studio microphone at the same time. The tripod stand design features collapsible legs for convenient storage, a telescoping center column that can be adjusted to reach a maximum working height of 68″.
The stand also features nonslip feet for added traction on hard surfaces as well as a 5/8″ threaded adapter for attaching a shockmount or mic clip.Provides sturdy support to a microphone and a reflection filter at the same timeMay also be used as a speaker stand (may require 3/8″ thread adapter)WhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628576827Auray COHH-2 Clamp-On Headphones Holder for Mic StandThe Auray COHH-2 Clamp-On Headphones Holder for Microphone Stand easily attaches to microphone stands that are up to 1.2″ in diameter to provide a hanging hook that supports two pairs of studio headphones. With a sturdy all-metal construction, the holder attaches to the microphone stand using a durable threaded locking knob, which ensures the headphones remain in place and are conveniently accessible while tracking in the studio.Organize Your StudioKeep headphones accessible and uncluttered when trackingSupports Two Pairs of HeadphonesProvides sufficient support for two full-size pairs of studio headphonesDurable Locking KnobAssures that hook will not slip once firmly attached to mic standVersatileFits mic stands with tube diameters up to 1.2″SturdyAll-metal construction ensures years of reliable useWhatsApp:+8615989288128 , UNCUCO Radio / TV Studio Equipment. , 847628580312
A18ARode NT1-A Large-Diaphragm Cardioid Condenser Microphone SpecsMicrophonePrimary ApplicationsStudio RecordingForm FactorLarge Diaphragm Mic / Stand/Boom MountIntended Sound SourcesVocals, Speech/Voice Over, Acoustic Guitar, PercussionSound FieldMonoOperating PrinciplePressure GradientCapsuleCondenserDiaphragm1″ / 25.40?mmPolar PatternCardioidOrientationSide AddressCircuitrySolid-State (JFET)PadNoneHigh-Pass FilterNoneTone AdjustmentNoneGain AdjustmentNoneIndicatorsNoneOn-Board ControlsNoneWindscreenNonePerformanceFrequency Range20 Hz to 20 kHz Maximum SPL137 dB SPLImpedance100 OhmsSensitivity-31.9 dBV/Pa at 1 kHzOutput Level13.7 mV (1 kHz)Dynamic Range132 dBSignal-to-Noise Ratio88 dB SPL (1 kHz)Equivalent Noise Level5 dB A-WeightedConnectivityOutput Connectors (Analog)1 x XLR 3-Pin Male (on Mic)Headphone ConnectorNoneCable Length20′ / 6.1?mPowerBus PowerNoneOperating Voltage24 V (Phantom Power)48 V (Phantom Power)PhysicalColorSilverMountingShockmount (Included)Included CaseMic SockIncluded FiltersPop FilterDimensions?: 2 x L: 7.5″ / ?: 5 x L: 19?cmWeight11.5?oz / 326?gPackaging InfoPackage Weight4.59 lbBox Dimensions (LxWxH)15.35 x 10.65 x 5.25″Focusrite Scarlett Solo 2×2 USB Audio Interface (3rd Generation) SpecsForm FactorTabletopDisplayNoneChannels of I/OAnalog:2 Inputs / 2 Outputs at 192 kHzMaximum Sampling Rate192 kHz / 24-BitNumber of Microphone Preamps1 PreampBuilt-In MicrophoneNoneInput Level Adjustment2 x KnobExpansion SlotsNoneSignal ProcessingPadNoneGain/Trim RangeInputs:Up to +56 dB High-Pass FilterNoneSolo/MuteNoneConnectivityAnalog Audio I/O1 x XLR 3-Pin Balanced Mic Input (Front Panel)1 x 1/4″ TS Unbalanced Line/Hi-Z Input (Front Panel)2 x 1/4″ TRS Balanced Monitor Output1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)Phantom Power48 V, Selectable On/OffDigital Audio I/ONoneHost Connection / USB1 x USB Type-C (USB 2.0)USB (Non-Host)NoneSync I/ONoneNetwork I/ONoneMIDI I/ONoneWireless ConnectivityNonePerformanceFrequency ResponseInputs:20 Hz to 20 kHz ¡À0.1 dB Maximum Input LevelMic Inputs:+9 dBu (Min Gain) Hi-Z Inputs:+12.5 dBu (Min Gain) Line Inputs:+22 dBu (Min Gain) Maximum Output LevelLine/Monitor Outputs:+15.5 dBu at 0 dBFS Headphone Outputs:+7 dBu ImpedanceMic Inputs:3 Kilohms Hi-Z Inputs:1.5 Megohms Line Inputs:60 Kilohms Line Outputs:430 Ohms Headphone Outputs:< 1 Ohm Dynamic RangeMic Inputs:111 dBA Hi-Z Inputs:110 dBA Line Inputs:110.5 dBA Line Outputs:108 dBA Headphone Outputs:104 dBA THD+NMic Inputs:< 0.0012% Hi-Z Inputs:< 0.03% Line Inputs:< 0.002% Line Outputs:< 0.002% Headphone Outputs:< 0.002% EINMic Inputs:-128 dBu A-Weighted Digital AudioSample RatesUp to 192 kHz (AD/DA Conversion) Sample Rate ConversionNoneBit DepthsUp to 24-Bit (AD/DA Conversion)Audio Storage & PlaybackMemory Card SlotNoneCompatibilityOS CompatibilityWindowsmacOSiOSIncluded SoftwareNoneCompatible Software (Not Included)Any Core Audio (Mac) Compliant SoftwareFL StudioIncluded Plug-InsNoneMobile Device CompatibilityiPad Pro Required HardwareUSB Type-C Port Internet ConnectionRequired for RegistrationPowerPower RequirementsUSB Bus PowerPhysicalAnti-Theft FeaturesKensington Security SlotDimensions5.65 x 3.77 x 1.71" / 14.35 x 9.58 x 4.34?cmWeight0.7?lb / 318.0?g (without A)0.8?lb / 363.0?g (with A)Packaging InfoPackage Weight1.105 lbBox Dimensions (LxWxH)6.9 x 5.7 x 2.3"Audio-Technica ATH-M30x Closed-Back Monitor Headphones (Black) SpecsHeadphoneEarpiece DesignOver-Ear (Circumaural), Closed-BackEarpiece SwivelYes, 15¡ãEarpiece Connection / Wearing StyleHeadbandFoldableYesDriver TypeDynamicDriver Size1.6" / 40?mmMagnet TypeNeodymiumVoice CoilCopper-Clad Aluminum WireImpedance47 OhmsActive Noise CancellationNoPerformanceFrequency Response15 Hz to 22 kHzSensitivity96 dBMaximum Power Handling1300 mWWired ConnectivityAudio Connector to Source1 x 1/8" / 3.5 mm TRS Male StraightConnector PlatingGoldAdapter (Included)1/4" TRSCable DesignSingle-SidedAudio Connector to EarpieceNot Specified by ManufacturerCable Length9.8' / 3?mCable ColorBlackPhysicalColorBlackWeight7.8?oz / 221?g (without Cable) Packaging InfoPackage Weight1.6 lbBox Dimensions (LxWxH)11.25 x 10 x 4.1"Auray RF-5P-B Reflection Filter (Metal) SpecsFilter TypeReflection FilterFilter MaterialFoam, MetalDimensions15.8 x 12.6 x 10.2" / 400.0 x 320.0 x 260.0?mmWeight9.5?lb / 4.3?kgPackaging InfoPackage Weight9.85 lbBox Dimensions (LxWxH)16.5 x 15.5 x 7.1"Auray RFMS-580 Reflection Filter Tripod Mic Stand SpecsStandHeight42 to 68" / 106.68 to 172.72?cmCollapsed Size35.2" / 89.41?cmGeneralWeight5.2?lb / 2.36?kgPackaging InfoPackage Weight5.8 lbBox Dimensions (LxWxH)35.75 x 5 x 4.25"Auray COHH-2 Clamp-On Headphones Holder for Mic Stand SpecsGeneralDimensions1.75 x 3 x 5.25" / 4.4 x 7.6 x 13.3 cmWeight0.25 lb / 113.4 gPackaging InfoPackage Weight0.25 lbBox Dimensions (LxWxH)3.9 x 2 x 1.75"S
